Aliasing and Uncertainty
The well-known phenomenon of "aliasing" in digital signal processing
leads to an interesting uncertainty principle for certain pairs of
conjugate parameters. Suppose we sample a continuous signal once
every T = 0.05 seconds, i.e., our sampling rate is 20 Hz. In order
to determine the derivative of this signal, we need to compare the
values of the signal for at least two samples. If we let s[t] denote
the sampled value of the signal at the time t, then a simple estimate
of the derivative ds/T at the time kT is given by
ds s[kT] - s[(k-1)T]
-- ~ -----------------
dt T
However, we can't associate the value of the derivative with any
specific instant. The mean value theorem from calculus assures us
that at SOME instant in the interval from (k-1)T to (k)T the slope
of the smooth function s(t) equals this value, but we are not able
to specify where in this interval the slope has this value.
So far we've assumed our measurements of s[t] are exact, but suppose
we superimpose a "noise" variability on top of the underlying signal.
Let the noise be represented by a simple sinusoidal wave
N(t) = h sin(wt)
where h is the amplitude and w is the frequency of the noise. If the
frequency of the noise is low relative to our sampling frequency, we
will clearly resolve the wave pattern of the noise on top of a simple
linear ramp signal s(t) = 2t + s0 as illustrated below for a noise
frequency of 1 Hz.
If the noise frequency is somewhat higher, the coherence of the
sampled profile is obscured somewhat, as shown below for a noise
frequency of 4 Hz.
At a noise frequency of 6.4 Hz we could easily interpret the total
input (signal plus noise) as a mixture of three distinct sine waves
as shown below:
With a noise frequency of 9 Hz the total input appears as a mixture
of just two sine waves in complementary phase as shown below:
If we raise the frequency of the n oise up to 18 Hz, so that it begins
to approach the sampling frequency, it appears as just a single sine
wave as shown below:
The frequency of this apparent sine wave is very dependent on the
relation between the frequency of the noise and the sampling frequency.
If we raise the noise frequence just one more Hz we find the total
apparent frequency has been reduced, as shown below:
Naturally if the period of the noise is precisely equal to the
sampling frequency, then we will always be sampling from the same
phase of the noise, i.e., the same point on the wave form, so it
will not contribute any oscillation to the input, although it may
contribute a "DC" offset with a magnitude equal to anything up to
the full amplitude of the noise.
By matching the frequency of the noise arbitrarily close (but not
exactly equal to) the sampling frequency we can produce a total
input sequence that exhibits an aliased version of the noise equal
to A sin(Wt) where A is the same as the amplitude of the actual
noise signal and W is the aliased frequency, which may be made
arbitrarily small. To illustrate, here is the resulting total input
with a noise frequency of 20.1 Hz:
The phenomena of aliasing provides an interesting illustration and
interpretation of the difference between a superposition and a mixture.
A superposition of two signals a(t) and b(t) is typically defined as
just the sum a(t)+b(t). On the other hand, a mixture of these two
signals is more subtle, since we are effectively partitioning the
samples of a given total sequence into interlaced subsequences, each
of which is interpreted or represented as a separate component. The
distinction is that these components are not added together (as in a
superposition), but rather we take the union of the samples.
Returning to the original question, it's easy to see that the presence
of sinusoidal "noise" with a fixed known amplitude h and unknown
frequency w places restrictions on how precisely we can determine the
slope of the underlying signal. Since the aliased frequency of the
noise can have any arbitrarily low frequency, any attempt to filter
out the noise must be based on averaging the sampled values over a
large number of samples. It's always possible for the total sequence
S(t) = s(t) + N(t) to begin at the low end of the noise band and end
at the high end (or vice versa) during the sequence of samples used
to evaluate the derivative. Hence, assuming a basic ramp input signal
with constant derivative, our estimate of the derivative based on
the samples from any interval t1 to t2 can be anything between the
two values
/dS\ (s[t2]-h) - (s[t1]+h) s[2]-s[1] 2h
( -- ) = --------------------- = --------- - -----
\dt/ min t2 - t1 t2-t2 t2-t1
/dS\ (s[t2]+h) - (s[t1]-h) s[2]-s[1] 2h
( -- ) = --------------------- = --------- + -----
\dt/ max t2 - t1 t2-t1 t2-t1
Consequently, if we let Q denote the derivative of s with respect to
t, then the range of uncertainty in Q cannot be less than
4h
delta_Q > -------
delta_t
Obviously for any fixed noise amplitude h we can reduce the uncertainty
in the derivative Q to arbitrarily small values simply by increasing
the sampling time delta_t, but of course this assumes Q isn't changing
during the period, and it increases the range of uncertainty on t,
i.e., on precisely WHEN the derivative actually had the computed
value. Thus we have a familiar hyperbolic relationship between the
uncertainties in Q and t, namely
(delta_t)(delta_Q) > 4h
In a sense we could regard t and Q as conjugate observables. In fact,
if we map the time values t1 and t2 to the nominally corresponding
signal values s(t1) and s(t2), then we have delta_s ~ delta_t, and
so since Q is just ds/dt, we could identify s with spatial position
and Q (multiplied by the constant m) with momentum, and we have the
uncertainty relation
(delta_x)(delta_p) > 4h
which is formally identical to Heisenberg's uncertainty relation in
quantum mechanics. The same sort of relation applies to any pair of
conjugate (non-commuting) observables. Of course, we shouldn't try
to press an analogy like this too far, but this shows how signal
processing provides an interesting model for hyperbolic uncertainty
relations.
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